Dog's Notebook

ABC's LOST: One Man's View

LOST is over in so far as there will be no new episodes airing on ABC.  That doesn’t mean LOST is over in so far as Dog’s Notebook goes.  I have gotten into the habit, not so much of recapping episodes, but of looking into the episodes with the understanding that you and I both watched the same thing and that maybe there is something hidden in the mythology, popular culture references and characters themselves that would shed some light on the overall story.  Well, folks, we are that the end.  While there is still plenty of analysis left in me, there isn’t much story development left.

rubber-band-ball1 The task of full analyzing the final episode of LOST is one that I don’t think I would ever get around to doing in one post.   My plan is to break LOST apart.  Analyze it piece by piece until I am satisfied that I have dissected the show as completely as I possibly can.  In order to do this, I am going to pick it apart; to work on one aspect or character of the show at a time.  In a very real sense, I am going to treat LOST like this ball of rubber bands, peeling off one band at a time until no ball remains.

It is going to be a difficult task for no reason other than the fact that the rubber bands of the ball that is LOST are sometimes so interwoven, one can’t remove one without taking a few more with it.  I am going to do my best to unravel it one by one.  I don’t know how long this will take, how often I will put up posts or if anyone besides me will be reading.  But that is my mission.

For my first rubber band, I am going to choose the LA X sideways world.

 

The Tootsie Pop.

p87_1.14_TootsiePopNo2

Do you recall the popular commercial from many years ago in which a cartoon child proposed the question, “How many licks does it take to get to the tootsie roll center of a Tootsie Pop?”  Watch it here.

In many respects the viewers of LOST were like children with a brand new Tootsie Pop.  We had to attack the lollipop one lick at time until we reached the tootsie roll center.   But did we ever get there?

When LOST began, there was something unusual about the show, the characters, the island.  Charlie asks at the end of the pilot, “Guys.  Where are we?”  Speculation abounded.  As characters began to reveal themselves and their pasts we theorized, perhaps they are dead.  Perhaps this other-worldly island is a purgatory like way station.  Perhaps they will gather together, get their personal houses in order and then move on to some higher plane.

Oh no.  Not purgatory.  Nothing like that, we were told.

LA X was constructed poorly.  The writers tried to be cute and deceive the viewers for a while and then reveal the sideways as an after-life world.  Too much liberty was taken by the writers which made it way too loose to be wrapped up as tightly as they want it in the end.

When taken as a whole it doesn’t work.  Keamy.  Omar.  Mikhail.  If everyone in LA X is dead and it’s an existence the LOSTIES designed for themselves, why are those three even there?  Forget about them dying again after they’ve already died.  I’m not even going to get into Widmore being there or why others probably should have been but weren’t.  I’ll save that stuff for another day.

So here we are, six season come and gone, and we are left with LA X as an after-life way station; a gathering place they all set up so they can meet each other and then move on.  Entirely irrelevant but certainly interesting to contemplate is to question whether the sideways world of LA X was simply added as an extra layer because the island was indeed initially a purgatory?  Because in the end, the characters ended up exactly where we thought they were when this whole thing began; gathering together, getting their lives in order and moving on.

None of which means that I didn’t thoroughly enjoy the journey or find satisfaction in the story.  It’s just that there is no tootsie roll center of this tootsie pop.  The last lick is as crunchy and hard as the first.  I like hard candy anyway.

First. Two things I think we all saw coming at one point or another in this series. The final scene of the single closing / dying eye was very well telegraphed throughout the six years. They are all dead. Everything that happened was real. Gotta say I saw these things coming, I just couldn’t say by what means.

The big reveal is mind-numbing. The LA X realm is actually an after death gathering spot for all of the characters to meet prior to departing for what lies beyond. Everyone in LA X is dead. Recently dead. Long ago dead. They are all there, but they are not all “moving on.”

Fitting that the show which relied so heavily on the meaning of time would pull the rug out from under us and leave us with a realm in which time has no meaning.

It may take some time, no pun intended, for me to get a grip on the implications of all of this. However several question jump out at me mostly involving Eloise Hawking/Widmore and her gang.

Who is Eloise really? Is she a Charon-like character who shuttles the dead around? This character is definitely going to require some further examination.

Charlie and Daniel were the first to make the connection, although Eloise already knew about it. Desmond then learned of his connection and made it his mission to bring the connection to everyone. Eloise was clearly the one responsible for putting Desmond in touch with both of them through her benefit concert.

Ben is not moving on perhaps because of his life in LA X with Alex and perhaps new love interest Danielle?

Keamy and gang were killed in LA X. Were they placed there by someone to muck up the works and if so who?

The list of ambiguities goes on, but my time here does not. I will be back with a final season six post in a few days.

As Lonesome Dove‘s Augustus McRae tells his dear friend Woodrow Call from his death bed, “My God, Woodrow. It’s been a hell of a party.”

It starts with one thing
I don’t know why
It doesn’t even matter how hard you try
keep that in mind
I designed this rhyme
To explain in due time
All I know
Time is a valuable thing
Watch it fly by as the pendulum swings
Watch it count down to the end of the day
The clock ticks life away
It’s so unreal
Didn’t look out below
Watch the time go right out the window
Trying to hold on, but didn’t even know
Wasted it all just to watch you go
I kept everything inside and even though I tried, it all fell apart
What it meant to me will eventually be a memory of a time when
I tried so hard
And got so far
But in the end
It doesn’t even matter
I had to fall
To lose it all
But in the end
It doesn’t even matter

‘In The End’ – Linkin Park.

In the end, it doesn’t matter.

I was struck with a bit of melancholy when the final thud hit this week.  Only one more remains.  Just one more time to sit down with the family and watch this wonderful television show.  Granted, the finale on Sunday contains about two and half episodes worth of LOST.  But it is the end.  Like all good things eventually do, LOST is ending.  Fortunately for us it will be on terms that the creators were able to control.

This series is unique to the television experience.  We are watching the unfolding of a six-year story.  Several novels have made it to the small screen as mini-series.  Some mini-series were later released as novels.  But we have before now not seen a maxi-series such as this.  If Uncle Stevie was to take up the task and commit this series to the page, I would read it.

But we can save the eulogy for another time.

This week set the table for what may be a fantastic finish, but in a way that sets it apart from the previous seasons’ finale set-up episode.  Progress was made, especially in LA X.  But we’ve a long way to go.  In the words of Robert Frost,

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

This is a difficult episode to dissect because the pieces are now entangled so tightly, that is hard to undo the knots.  The tapestry is a very relevant metaphor this week.

There is an apparent split within the LOST fan community over the utility of the episode Across The Sea.  I happened to thoroughly enjoy that episode as a stand alone, but its utility was made even more vital this week as the dots became connected.  The Jack/Jacob consecration scene.  The fireside chat.  The way for these scenes was made smooth by Across The Sea.

Enough.  On with the lengthy discussion of What They Died For.  As always, your comments are important.

A Call Back to Season Two/Three.  Part One.

Michael was given a list by the Others.  In exchange for him bringing the people on the list, he was to be reunited with his son, Walt,  and they were to receive free passage off the island.  He complied, turned over his friends and was given his son, a boat and a heading of 325.

The four friends were then subject to the horror that is early season three, which in our house is termed the Dark Age of LOST.  It is the time I came within a kitten’s whisker of abandoning this show.  Man, that seems like a long time ago.

I guess one of the things that LOST fans will be doing over the next few weeks is analyzing the show to determine in their own minds if the creators really did have a plan, or if they made it up as they went.  I would say this week puts a tally in the "they did have a plan" column.

While Season Two’s finale may have been a foreshadowing of the series finale that approaches.  I am hard pressed to find any real significance in the experiences the four had in early season three.

My recollection is that the four were taken hostage, Jack given the task of operating on Ben, Hurley allowed to leave and Sawyer and Kate being placed in the animal cages.

Jack was able to negotiate the freedom of Kate and Sawyer, and he was eventually let go himself.  In other words, not much of any significance seemed to come from this first experience other than Ben’s surgery and the Kate/Sawyer hook-up.

Was the season two finale merely a shadow of things to come, or is there something significant still on the horizon to connect these two times?

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LOST has a problem.

By creating a series which requires avid viewers to watch episodes several times, many times in frame x frame mode, they have opened up such a can of detail that there is no way to answer them all.   It is their fault that avid fans of the show really want answers to questions whose only answer is going to be “Because.”  I am here to answer those questions for you.

I have been warning you folks all season to limit the questions you want answered to the really troubling stuff and leave the small things behind.  Focus on the big stuff.

No offense to Jamesie who forwarded to me the list of questions below that remain unanswered going in to the final two episodes.  These are exactly (well most of them anyway) the kinds of questions that I find absolutely hilarious.  I supplied the answers.

1. What is the source and significance of Walt’s abilities? What about the abilities of Miles and Hurley?

This has two question mark but is really the same question asked twice with three different names.  The answer to both is the same.  Usain Bolt can run faster than any other human on the planet.  Ours is not to question why.

2. Why did Radzinsky splice the Orientation film, draw the blast door map, and kill himself?

Things happen.  People do stuff.  It’s what happens a lot of times in stories.

3. Why did the lockdown suddenly occur?

Someone hit a button or something. 

4. Where did the food drop come from?

The sky. 

5. How could Jacob’s cabin physically move?

I wonder if he means to ask move without someone driving it.  This guy still wants to know why Dracula is a vampire.

6. Who or what did Ben and Locke see in Jacob’s cabin and why did it react so violently?

They saw something or someone that reacts violently.

7. Why did Desmond’s vision of Claire boarding the helicopter with Aaron not come true?

The show isn’t over.

8. Why is Eloise so committed to preventing the future from changing that she is willing to let her son die?

The show isn’t over.

9. How did Eloise know where and when Desmond would be in 1998, so that she could stop him from changing the future?

I don’t even know what this refers to, and I consider myself a learned viewer.

10. What is the sickness/disease that infected Danielle’s team, Claire, and Sayid?

An illness/malady perhaps.

11. Where did Daniel learn so much about DHARMA before arriving to the island and why did he devote so much time to learning about it?

Ann Arbor. 

12. Why can’t Ben kill Widmore/what are the rules?

Not sure of all the rules, but I would think one of them is Ben can’t kill Widmore.

13. What happens after 1977 that causes the fertility problems for women on the island?

While the show isn’t over and I can’t say for sure there won’t be something more specific answered about this problem, I am pretty sure this falls under the category of Things Happen.

Oh, and I am pretty sure it was The Incident that caused it.

14. What was the purpose of the test Richard gave young Locke? How did he expect him to know something that had happened before his birth?

Unfair.  Two questions under one number.  But really question two answers question one so I guess it’s ok.  It’s all very Buddhist.

15. Who were the pursuers in the outrigger?

Aha.  A genuinely interesting question finally.  This is likely to get answered.  I expect Juliet, MIA so far this season, to make a guest appearance. for this scene anyway.

16. How did Eloise come to run the Lamp Post and why?

Someone has to.  It’s her turn.

17. How did DHARMA find out about the island in the first place, leading them to look for it using the Lamp Post?

Jacob.

18. How did Libby end up at the mental institution?

This is a trick question.  She didn’t actually END up there.

19.  Who was or is Ben’s Boss?

Jacob.  If not Jacob, then the show isn’t over yet.

20.  How were Jacob, Tom, Ben, Ethan, and Richard able to leave the island and return?

Submarine. (Tom, Ethan and Richard) 

Wormholes, although they are only one way streets. (Ben and Locke and polar bears) 

Magic Lighthouse mirrors. (Jacob)

21.  Who placed the C4 on the Ajira airplane? 

The person who wanted the plane to blow up AND all the people inside to die.  So far I would say that would probably be Locke or Widmore and maybe somebody else.  The show isn’t over yet.

Got any other unaswered questions?  Send them to me and I will be glad to answer them for you.

Talk about island jeopardy. 

In many respects I consider the island to be the real star of this series.  It’s only fitting, that as the series winds down, we get an island-centric episode.  I have always been more interested in the island, the mythology, the religion, the science then I have been in the characters themselves.  It is the reason why I previously have stated the only answer I need is to the question “what is the island?”

It seems now as if that answer will not be forthcoming, and I will be fine with that, because we have been given a glimpse into the heart of the island and are left to ponder the meaning of the island.  Perfect. 

Island woman (IW) sums it up very succinctly.  Claudia plays the role of curious child, and IW says, “Every question I answer will simply lead to another question.”  LOST has employed that technique throughout its run.  It even has characters respond to each other’s question with a question.  Questions run in the blood of the series, and I don’t recall getting too many answers that didn’t ask another question.

A tip of the hat to Jamesie who told me the game that washed up on the beach is called senet.  It is an ancient Egyptian game and may be the first ever board game in human history.

The end approaches.  Let us move on quickly now.

 

Korean, Latin, Russian, English, Egyptian, Whatever

For a show to be so global in both geography and time in using language, it was a bit of a shocker when IW and Claudia switched from Latin to English.  Considering among other things, that if the episode was set several thousand years ago, English hadn’t even been spoken yet.  In fact we English speakers would be hard pressed to even understand English until probably about 500 years ago.

We shall call this The Hunt For Red October approach to film-making.  In that film, the Russian sailors, party officers and basically everyone spoke English.  It was only when the Russians and the Americans got together did the language differences get some screen time.  If two people were conversing in the same language, it was English.

So LOST employed the Red October technique, so what?  Well it seems cheap for a series that has used language, and language differences from the very first episode.  But I give them credit for not making us read subtitles for the entire hour.

 

The Loop.  Part One.

If a record is playing on my turntable and I enter the room while it is playing song #3, I realize that songs #1 and #2 have already played.  I don’t need to actually have been there to know it.

 

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What was that? 

Did I just watch an episode of MacGyver? 

The episode was not a typical LOST episode, rather it was more in line with every other scripted drama on TV, and it played against the very tenets that made LOST so different, and so to me it was a bit disappointing.

The island story was basically an action sequence, and the LA X story was pretty lame and, dare I say, essentially pointless.   This week left us with but a few things to speculate over.  The writers pulled some punches on us this week, and that doesn’t make me happy.

Without further adieu…

Throwaway Scenes.

I would think, as this series winds down and the minutes become more sparse, the writers would not waste time with scenes that are virtual throwaways.

Did we really need to see Anthony Cooper to know that he is catatonic?  Did we need to see Bernard again?  Couldn’t John have simply told Jack how he injured himself?  The stupid thing is that in the end Locke told Jack the story anyway.

Who is not getting bored with the mirrors by now?  What was that scene with Claire and the music box all about?  So the box plays “Catch a Falling Star.”  More time wasted.  Did we learn anything? 

Ok, we learned that LA X Christian died in a manner similar to the way he died the first time around.  We pretty much surmised that anyway and more pressing is whether it is important.  Who can say because Christian just hasn’t been around all year?

There were too many hospital scenes between Jack and Locke, most of which added very little to the story.

In the end, each of these scenes may have significance.  Right now, I cannot find much to justify them.

Speaking of throwaways… I record the show and watch without commercial interruption.  I noticed this week that the commercial breaks seemed to go on much longer.  ABC released news this week that the finale will be two and a half hours instead of just two.  My guess is that will be about 21 minutes of extra commercials and about 9 minutes of show.  Be forewarned.

 

Widmore and Locke.

I wonder about the relationship between Widmore and Locke.  There are things that lead me to believe that Widmore is in with Locke and there are things that fly in the face of that.

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I bought a first class ticket on Malaysian Air
And landed in Sri Lanka none the worse for wear
I’m thinking of retiring from all my dirty deals
I’ll see you in the next life, wake me up for meals

Let’s call this one my Warren Zevon inspired hiatus post.  LOST resumes this week for its final run. 

This show is unique in my experience.  I never in my wildest dreams imagined I would spend a fraction of the time thinking about a television show as I have with LOST.   Am I embarrassed?  Probably.  Am I satisfied with the experience?  Without question.  I would not do this any differently except  perhaps I would have started weekly posts much earlier on in the series.  My family has already decided that we begin our re-watch of the entire series some time after the finale.  LOST isn’t going away for me, the loop is starting over.

And so, while we are on the subject…..

My Sh*t’s F**ked up.

Warren Zevon was highly underappreciated.  How’s that for an oxymoron?  Some of his best work was done while dealing with drug addiction.   But the music I like the most is the stuff he wrote while suffering from terminal cancer.  He was very prolific during that stage of his life.

If you are ever feeling melancholy and are aching for a heartbreaking song, pull out “Keep Me In Your Heart.**”  That song is a real gut wrencher.  I posted the lyrics below.  But, I digress.  Why Zevon?

I stole the heading for this section from the title of a song he while enveloped in the late stages of the cancer that would kill him. 

Well, I went to the doctor
I said, "I’m feeling kind of rough"
He said, "Let me break it to you, son
Your sh*t’s f**ked up."
I said, "my sh*t’s f**ked up?"
Well, I don’t see how–"
He said, "The sh*t that used to work–
It won’t work now."

It’s not really relevant to LOST other than the concept of sh*t being f**ked up.  Thanks to Jamesie for the heads up on this one.   Specifically, something’s not right in LA X.

I have already posted about Desmond’s busy day after he landed.   But seriously, would Jack go to work at the hospital following his ordeal at customs?  Would he go there if he know he had to pick up his son after school?  The plane clearly landed during the day, and not early morning.  He didn’t seem to be rushing around all emergency like if you get my drift.  Seems unlikely Jack would have been at the hospital even though both Desmond and Claire were taken there, which was clearly the day the plane landed.  That’s not all.

There are some glaring mistakes in the timing of several of the key events in LA X.    Check out this spreadsheet I put together.  If you have any corrections you’d like to add, please do so in the comments. 

The shootings at the restaurant are out of place in a couple of the characters’ timelines.

I understand once again that this is a television show and that certain liberties need to be taken for the good of the story.  This is either very, very lazy writing or there is something amiss in LA X.   I have a tendency to give the writers of this show more credit than they probably deserve, but I just don’t see how this can be anything other than some contrived plot line.  I don’t know what it means.  If it means nothing, it’s very sloppy and that is a bit disappointing.

Man of Faith = Man of Purpose = LOST fans.

Jack began his conversion to a man of faith off the island and that conversion is nearing completion.  I think I should refine my language.

He’s not so much a man of faith as he has become a man of purpose.  He has decided that there is a reason for his presence on the island.  He realized that he should never have left, and he is prepared to realize that purpose now.

In a very real sense, island Locke is now a man of disorder.  He wants nothing more than to create chaos in the world.   He wants Jack to believe that he was brought to the island for no reason.  The island is just an island.  Jacob interfered.  Plain and simple. 

Jack now represents us, the fan of LOST, as the show winds down.  We have to believe that the show will reveal its purpose and that its end will be just as its run; thought-provoking, exciting, memorable.   We don’t want Locke’s forecast to come true.  We don’t want to end this thing feeling like we’ve just given up six years of our lives to a television show that cheated us in the end.  We don’t want to feel as if it interfered with our lives with no real reason.

What’s It All About, Alfie?

Characters.  In the end, that’s what this show is about.  So when we start to think about satisfying endings, the discussion has to start and end there.  I don’t expect a Sixth Sense style revelation for LOST.  Each main character will be forced to choose what it is they want.  I fully expect that Jack and Locke, Sun and Jin, Hurley, Sayid and Sawyer will be around at the end.  Not so sure the fate of Kate at this moment, but if I had to wager I would say I am about 90% sure she’ll be around too.

I have said before and I will remind you now.  Forget your questions.  Unless you share your question with a character, you will likely be dissatisfied.  For example, the producers have said that they answered the whispers question because it was important to the characters.  I wasn’t that big of a fan of the narrative-style answer.  I think the Richard aging question was important as well, and I liked how they answered that one through exposition.

Aside from watching them reconcile LA X with the island, the only question I want answered was uttered by a character in this series.  At the end of Pilot, Charlie Pace asked, “Guys.  Where are we?”

until next week……

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Note: I will probably post a few little things over the next week just keep things interesting around here until the next episode airs on May 4.

I got this one from a podcast.  I have to say I didn’t notice it at all, and I can’t say for sure it is the same wound, but this early season six scene was mysterious when it aired and it was our first reflection shot of the season.

I recall thinking this scene was a bit odd when I watched it, but now there may be a connection between the above scene taking place in the LA X world and the island world.

It can’t be an accident that Jack’s head is tilted in this scene so as to reveal the injury.  Therefore I suggest we have to believe there is a connection in time between this island Jack and Jack in LA X.  The strange thing is that we’ve always thought island Jack was ahead of LA X Jack in terms of time.   But we witnessed the injury on the island, and from the fresh blood, we have to believe that the scene on the plane was after the island explosion.

How is it island Jack’s injury shows up on LA X Jack when LA X Jack seems completely surprised that it’s there?

You know what you’re watching is good when the time flies by.  I am getting to the point of lamenting each and every commercial break; each one a step closer to the final thud of LOST.

Only four more shows (five hours total) remain.  One part of me would like them all in one dose.  The other wants to savor them.  I suggest that as fast as this past hour went, the speed of each will only increase as we get closer to the end.  That final LOST “thud” looms large on the now visible horizon.

The first shots have been fired in the war for the island.  We just don’t know who the parties fighting it are.  It seems obvious that we have at least three sides.   There’s Widmore’s group with the ubiquitous Zoe on Hydra Island that has now captured most of the group of candidates save Jack, themselves fighting their own battle.  Locke and Jack are together physically, if not mentally, back on the main island with a lot of former Others now playing the role of casualty.   Conventional wisdom says the latter.

Before we get started on this week’s post let’s revisit what may be the most boneheaded line of the entire series to date.  It occurs in the back of the ambulance taking Locke to the hospital.

Ben: He’s a paraplegic.

EMT: You know this man?

This EMT routinely gives rides to people unfamiliar with the victim?  Would have been nice if Ben would look him in the eye and, in his best Ben-style sarcasm, say something like, “No, I was hoping we were going for ice cream.”

On with the show…..

Reflections: The Locke-ification of Jack.

The only two people I saw in reflection were these two near the end of the show. 

Interesting that in almost every respect dead Locke and Jack from three years ago are virtually the same people.  Dead Locke is saying all the very same things that Jack once thought and said about John Locke, but for some reason this Jack isn’t buying it.  I think back to the final scene with Jack and John Locke at the Orchid before the Oceanic Six left the island.  Then I think to the scene with Jack and now dead Locke in the coffin as Jack put Christian’s shoes on Locke’s dead feet.  Jack said to John, “You must be laughing your ass off now.”  What we are witnessing now is a new Jack.

When he was off the island, Jack started down his path to conversion; from a man of science to a man of faith.  I think seeing John Locke in the coffin made his conversion inevitable.  Now dead Locke’s recitation of all the faults John Locke had on the island doesn’t persuade Jack.  He understands what John was saying all those times they butted heads during the 108 days.

“John Locke was not a believer.  He was a sucker,” dead Locke tells Jack.  Three years ago, Jack could have himself uttered those words.  Now he understands that John was a believer and even more importantly, he is beginning to understand what there is to believe in.  Jack sees.  I think LA X Jack sees something in this mirror beyond a patient with a familiar face.

How the LA X surgery ends is anyone’s guess.  I don’t think Locke will die, and merely putting them together may just be the most important part of the whole procedure.

One thing this show does so well is change on a dime.  I really like Jack right now and dead Locke is growing more evil in my eyes by the second.  But one thing we all know.  That can change in a heartbeat.

 

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